Academic M-Audio iZotope Effects Mastering Bundle
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M-Audio iZotope Ozone 3
64-bit Integrated Mastering System with Analog Modeling
M-Audio iZotope Ozone 3 combines analog modeling with 64-bit digital precision to deliver a complete set of world class mastering processors.
From the warm sound of tube modeled equalizers to the pure transparency of linear phase filters, M-Audio iZotope Ozone 3 provides the tools and the technology you need to deliver top notch audio masters.
M-Audio iZotope Ozone 3 is a system of top quality 64-bit DSP algorithms, complemented with enhanced visual meter displays, and integrated in an interface that makes it incredibly easy to get incredibly good masters.
M-Audio iZotope Ozone 3 Features
M-Audio iZotope Ozone 3 Multiband Dynamics: Up to four bands of multiband dynamics that carefully emulate the response of analog circuitry, providing natural-sounding compression, expansion, and limiting
• Real time visualization of the dynamics within each band, including gain reduction meters, level histograms and X-Y compression curves.
• Analog or digital linear phase crossovers with adjustable Q (bandwidth).
• Controls for comparing "gain when bypassed", offsetting overall band gain and muting, bypassing and solo'ing individual bands.
M-Audio iZotope Ozone 3 Paragraphic EQ: Shape the tone with eight nodes of bell, highpass, lowpass, highshelf or lowshelf filters overlaid on an ultra fast spectrum display.
• Choose from analog modeled EQ with "soft saturation" modeling or digital linear phase filtering with up to 16,000 bands of precision.
• Compare your mixes with a powerful spectrum analyzer that offers real time and average modes, critical or third octave bands and snapshots.
• Use spectrum snapshots of recordings to create "automatic" EQ curves.
M-Audio iZotope Ozone 3 Multiband Harmonic Exciter: Up to four bands of multiband excitation for adding warmth, sparkle or shine to your mixes.
• Choose from retro, tape or tube modeled excitation with adjustable amount and mix controls for each band.
• Unique multiband time offset controls for tightening and adding "attack" to bass and kick.
M-Audio iZotope Ozone 3 Multiband Stereo Imaging: Up to four bands of multiband stereo widening for adding space to your mix without losing the bass.
• Visualize the stereo image with a powerful phase/channel meter display that highlights imaging, phase and potential canceling problems
• Apply multiband channel delay controls for adjusting the perceived location of the stereo field or correcting tape azimuth errors.
M-Audio iZotope Ozone 3 Mastering Reverb: Dual mode reverb for adding ambience to your mix.
• Selectable plate or room modeling algorithms for "studio" or "acoustic" ambience.
• Control room size, predelay, width, frequency cutoff and more
• Special controls for solo'in the wet signal, adjusting the frequency response and monitoring the width and phase of the reverb signal.
M-Audio iZotope Ozone 3 Loudness Maximizer: Push the level without overloading with analog modeled or digital transparent loudness maximizers.
• Intelligent release control technology with predictive limiting of "intersample clipping".
• Adjustable threshold, margin, release and character controls.
• Visual feedback provided through limiting gain reduction meters and overall loudness histograms.
M-Audio iZotope Ozone 3 Dither: Prepare audio for CD with word-length reduction and high order psychoacoustic shaped dither.
• Choose from three types of noise shaped dither algorithms.
• Integrated DC offset filtering, auto-blanking and dither harmonic suppression for dynamic and transparent conversions.
• Unique set of bit scopes and DC level meters provide a complete view of the digital bitstream and conversion process.
M-Audio iZotope Ozone 3 Additional Features: Work faster, easier and smarter
• Manage presets with a modular integrated preset system.
• Customize the signal processing order with a unique graphical flowchart.
• Automate over 150 parameters through automation.
• Create A/B comparisons or step back through your tweaks with unlimited undo and history operations.
M-Audio iZotope Ozone 3 isn't a collection of plug-ins. It's a single interface that combines all of the required mastering tools in one system. This makes it easier to use, easier to understand the mix, and -- well -- it just sounds better because, once the signal goes in, it's all 64-bit processing until it comes out. It's technically impossible to get this sound quality and resolution by chaining separate plug-ins together.
M-Audio iZotope Ozone 3 Specifications
Formats: Pro Tools 6.1+ (RTAS/AudioSuite/HTDM), VST, MAS, Audio Unit, and DirectX
Sample Rates: up to 192 kHz
Internal Precision: 64-bit
Automatable: Yes (over 150 parameters)
OS: Windows (98, 2000, ME, XP)
Mac OS X 10.2+
M-Audio iZotope Spectron
64-bit Spectral Domain Effects Processing
M-Audio iZotope Spectron is the newest must-have tool for sound designers. It offers limitless spectral processing housed inside a powerful interface which lets the user control entire groups of frequency bands with virtually limitless options for sweeping and triggering. By chaining effects including morphing, panning, delay, and filtering. It's almost impossible not to find a unique sound with M-Audio iZotope Spectron.
M-Audio iZotope Spectron uses the Spectron Engine to split audio into thousands of frequency bands, apply effects independently to each band, and then resynthesize the audio to create entirely new sounds. It can provide delay effects, but it adds the ability to selectively delay, feedback and modulate specific ranges of frequencies. It can sound like a flanger or chorus, but with additional spectral complexity and richness. It can filter signals, but unlike an EQ it has the unique ability to morph, modulate and harmonically filter sounds.
If you're looking for a unique sound, you've come to the right place. M-Audio iZotope Spectron can be swirly, funky, electronic, organic, ambient, trippy or retro. It can be a delay, chorus, filter, flanger, panner, or morpher -- but not like any you've ever heard before. It's easy to find your own sound with M-Audio iZotope Spectron, and you'll soon see what we mean when we say that Spectron offers nearly unlimited possibilities for sound design.
M-Audio iZotope Spectron - Delays
M-Audio iZotope Spectron can create spectrally delayed signals with independent control over the delay and feedback of individual frequency bands. From ambient echoes to modulated buzzing, you'll never look at a delay the same way again.
Original File
Delay Demo 1
Delay Demo 2
Delay Demo 3
Delay Demo 4
Delay Demo 5
M-Audio iZotope Spectron - Morphs
The Morph module lets you perform realtime spectral modification of one signal based on the spectrum of another signal. It can be a powerful tool for creating rhythmic textures, vocal effects, morphed synth sounds and more.
Original File
Morph Demo 1
Morph Demo 2
Morph Demo 3
Morph Demo 4
M-Audio iZotope Spectron - Pans
In normal effects, panning is pretty boring. Pan to the left, pan to the right -- that's about the extent of it. Spectral panning, on the other hand, is an entirely different story. With M-Audio iZotope Spectron you can grab regions of frequencies, pan them, modulate them, or envelope trigger them. These examples show you some simple tricks you can perform easily with Spectron to put beats in various channel combinations.
Original File
Pan Demo 1
Pan Demo 2
Pan Demo 3
M-Audio iZotope Spectron - Combinations
Each of M-Audio iZotope Spectron's modules offers nearly unlimited possilbities on its own, but imagine what you can create when you start chaining modules together. M-Audio iZotope Spectron makes it easy to combine modules, and here are some unique sounds created using several M-Audio iZotope Spectron modules at once.
Original File
Combo Demo 1
Combo Demo 2
Combo Demo 3
M-Audio iZotope Spectron - Specifications
Formats: Pro Tools 6.1+ (RTAS/AudioSuite/HTDM), VST, MAS, Audio Unit, and DirectX
Sample Rates: up to 192 kHz
Internal Precision: 64-bit
Automatable: Yes (over 225 parameters)
OS: Windows (98, 2000, ME, XP)
Mac OS X 10.2+
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